Jam-packed with bloody action, soulful music and emotional vigor, “Sinners” immediately establishes itself as a classic. Written and directed by Ryan Coogler, this powerful horror film is currently available for streaming on HBO Max, Hulu and Amazon Prime.
In 1932 Mississippi, criminal twins Elijah “Smoke” and Elias “Stack” Moore (both played by Michael B. Jordan) return from Chicago to their hometown to open a juke joint, or a bar with an area for music and dancing, for their local African American community. Picking up their talented cousin, Samuel “Sammie” Moore (Miles Caton), and local musician Delta Slim (Delroy Lindo), the Smokestack twins work together to create a place for people to enjoy drinks and music. However, their revelry is short-lived when supernatural vampires, led by Remmick (Jack O’Connell), descend on their establishment.
With the combination of multiple genres, the pacing feels rushed at certain points, especially the ending. After the epic resolution, carried out by Smoke, the short glimpse into Samuel’s fate is too quick. Further, the buildup into the horror element of the film is a little too long.
Regardless, the soundtrack, composed by Ludwig Göransson, is phenomenal. Combining multiple genres, such as Irish folk music, R&B, blues, soul and jazz, the score is incredibly impactful. In collaboration with multiple artists, Göransson’s score intimately reflects the themes of the film.
Additionally, the principal cast’s performance is incredible. Jordan’s performance as the Smokestack twins is both impressive and divisively moving. Caton’s vocals and portrayal of Samuel’s gripping fear and determination for something more are astounding. The emotional depth and support of Hailee Steinfeld and Wunmi Mosaku as Mary and Annie, respectively, prove to enhance the entire film.
The set and costuming are equally stunning. Gritty and real, the Southern Gothic setting sets up the deeper themes of the film: disenfranchisement and post-slavery racism. The costumes do much of the same.
Further, the coloring in the film assists the shifts in genre. In the first half of the film, the coloring is bright and natural. Once the vampires descend on the juke, the colors shift to vibrant reds and harsh yellows, heightening the tension in the film.
